Gerald Auten
Drawings

Gerald Auten was educated at The University of Iowa (BFA Drawing and Painting), Washington University-St. Louis (MFA Painting) and The University of Wisconsin-Milwaukee (M. Arch). He teaches drawing, painting, architecture and senior seminar. Auten's work has been exhibited widely in the U.S. and abroad including exhibitions in Teheran, Mexico City, New York and Vancouver.

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Varujan Boghosian
Constructions

Varujan Boghosian’s mastery of ‘the line in its time’ and its particular and universal projections—both those on paper and as seen in the relic object which, in new community, transcends its history to become symbol—seems to alchemically precipitate his unique cornucopia of remembrance in exact proportion to a discovered need for re-visitation, and thus, re-invention.

Here Leonardo goes native in the Age of Victoria, then explodes like a psychedelic time-bomb into the 1960’s. And poor, hopeful Orpheus is imprisoned in brick—the sensuous declinations of an architecture eternally undercut by myth and iteration.

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Margaret Lampe Kannenstine
Paintings

Margaret  Lampe Kannenstine is an artist whose landscapes, still lifes, and paintings of performing musicians are centered on the expressive use of color. Her love of Vermont  and her ties to the land are evident in the landscapes, as is her love of music in the jazz series.

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Ben Frank Moss
Paintings

Ben Frank Moss was born in Philadelphia, attended the Stony Brook School for Boys on Long Island, NY, received his BA from Whitworth College in Spokane, WA, was briefly a graduate student at Princeton Theological Seminary and in 1963 received his MFA from Boston University with high honors.

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Rosamond Purcell
Photography

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Susan Walp
Paintings & Drawings

Susan Jane Walp attended Mount Holyoke College (BA Distinction and Honors in Painting) and the Brooklyn College MFA Program. Since 1998 she has been the Visiting Assistant Professor and Lecture at the Department of Studio Art at Dartmouth College. Walp has exhibited widely through the US and abroad.

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