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Rochester, VT 05767
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Lily Frisco

Links to more examples of Lily's work:

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Artist Statement:


I consider my work to be a mixture of visual anthropology and magic realism. I am interested in life at its most extreme, at its most apocalyptic, and at its most sublime. These images are meant to show an illusion of static reality breaking down into moments of faith and animism. The pictures themselves are mostly diptychs portraits combined with abstractions. They depict characters coming to terms with elements of the beyond. The characters are caught in moments of realization as if they are suddenly seeing past shadows on the wall of the cave and looking directly at the world itself for the first time.
Most of the images contain exits or entrances (portals) from one reality into the other. These breaks in the material plane of the photograph are represented as extreme white lights or thick black voids. Sometimes the portals are clear, sometimes they are small cracks, breaks, glimpses, or photographic glitches, capable of expanding and morphing to further distort and fracture standard reality.
This work is not traditionally photographic. It is soft and painterly, and spatially flat. The voids depicted are similar to the voids found in the work of Mark Rothko and other color field painters. The images are grainy, blurry, and impressionistic. Though they resemble paintings, they are made as photographs because they rely heavily on their basis in "the real" to propose their suggestions about where magic and the sublime can be found in the world.

 

Biography:

Lily is ayoung photographer who studied visual arts at the State University of New York at Purchase, where she received the Presidential Scholars award in Photography, and the Joel Salderelli Memorial Award for Visual Artists. During her time there she held two solo exhibitions of her large-scale color work in the photography gallery for two consecutive years. She received a Hallmark grant and held her first solo exhibition at Space 1026 gallery in Philadelphia. For the two years following her graduation she lived in Philadelphia, where she worked teaching art to children in inner city schools and building a photography project involving the aesthetics and character of the city.